The corollary of you have to be excited about your writing…

I have to be excited about my outline.

One of the lessons I learned from NaNoWriMo this year was I don’t have enough outline. What got me through was Mary Robinette Kowal’s, “No Prep NaNo” class. When I bogged down I went back to my class notes and followed her advice. The second action I took was to make a note of what bogged me down. More often than not it was the lack of outline, I was missing the “Ok-What happens next?” syndrome. Once I had this the writing was straight forward and oddly exciting.

Before I continue I want to point out something that I have learned over the last while, don’t argue with established bona fide experts. I paid money to take the class. I try not to argue or disagree with experts on writing. I do my homework by checking out the expert. And move forward taking their advice. If it doesn’t work, it doesn’t work, but at least I know that from experience. I find what works for me, but I don’t spend time re-inventing the wheel. But that’s me, it might not be you.


Back to the corollary…

I have discovered that it’s work to write an exciting outline. I am aware of the forms, the three-act structure, the seven point plot, the MACE quotient, etc. What I am learning is the details of outlining. How to get the parts of your outline to weave together? I know I want my main character to have a love interest. But what are the details of that romance and how does it weave through the core of the story? I want my character to fail at succeeding at their main goal. It’s part of any good story. How does that integrate with developing secondary character who is an integral part of the story? And how do all of these elements mesh into a cohesive whole that reinforce the underlying theme of the novel?
I suspect for experienced author’s, this is straight forward process. For someone learning to write, it’s like exercising a muscle you didn’t know you had. It hurts, and it hurts more the next day.

The basic advice still follows, get your butt in a chair and write or outline. But just doing repetitions without examining the exercises you are doing is wasted effort. You can do all the sit-ups you want. But if you do them wrong you end up with neck and back pain with NO abs.

Ok, dcd, what are exercises are you doing? Good ones?

I hope so. But I am following the concept from workouts, High-intensity interval training (HIIT). What in the Sam hell does that mean?

Workouts, exercising these days evolves around working specific muscles very hard and then resting them. The next day you work a different set of muscles, very hard. And you have rest days. You match this with a proper diet and you end up being fit.

Unlike the problems with getting the details into my outlines, I can schedule. I would say  “Project Management” but I just felt eyes roll and glass over, and not in a good way. A simple schedule to work the different parts of my writing muscles with a focus on outlining. Cheese cake. (I’ll be right back, desert is calling)


  • Monday – WWP Writing Group – Outline
  • Tuesday – Solo at home writing
  • Wednesday – Rest Day (Board Game Group)
  • Thursday – Outline (Once a Month WWS Writing Group)
  • Friday – Critiques for Writing Groups
  • Saturday – Writing
  • Sunday – Rest Day or Cardio…

Ok, smart guy, what are you going to consume to help this regime?

Core writing “foods”

  • Writing Excuses Podcast, IMO, the best podcast out there.
  • The Prolific Writer Podcast
  • Monthly Writing Class
  • Monthly Writing Prompt
  • Weekly Writing Group Writing Session
  • Audio Books in genre

Lastly and most importantly, tracking.

All sorts of studies show that if you track what you are doing, if you measure your work, you get better results.(Don’t take my word for it) And so I will build a spreadsheet or Trello Card or add something to a food tracker to measure what gets done. Most likely they will be “ToDo’s” in a calendar. Perhaps the website will contain micro updates…

As I re-read this now, other than all the typo’s, I see way too aggressive goals. But I know it’s OK to fail.

“Failure provides the opportunity to begin again, more intelligently.” ~ Henry Ford

Be Well…dcd

Part IV – The Short Story, a Stepping Stone to Novel Writing

Great Panel for this discussion: Susan MacGregor, Rhonda Parrish, James Van. Pelt, Ronald Hore

All of the panellists were, once again an engaging talented group of professionals.

The premise is that writing short stories will help bridge the gap to a full length novel easier of the new writer, or the beginner novelist.  Many excellent reason’s why:

More feedback on your writing faster.

You make many mistakes quickly, and hopefully learn from them ;).

Many novelists write in the three act process, which is short story based style.

You can submit more short stories in a year than you can novels.

Below is my stream of random notes – the first one is apparently the single reason first time novelists get rejected.

Most rejections of Novels are a result of the WRITING, not the idea

Practice with feedback –

Use the short story as the feedback

Level of the craft level, do you know your trade?

Need a critique group, that deal with the writing –

Very encouraging – panel people.

Look at attending other conference – maybe world? Its in Portland 2015

Pitch sessions are a necessary part of the process

Its important to do the whole process –

“Little Streams” – analogy – as a new author you can’t fish the big rivers

You need to see the big river as a small river

Read a chapter of the Game Thrones and see how it is a “short story”

You never run out of markets to sell short stories to – 49 times – up for an award, not changed over 10 years

Once again – its about passion, in the author

NOTE: Learn the short story form – story market info

It is interesting to note that one of the authors at the conference, Brandon Sanderson believes that you should write the novel length, if that is what your passion is, otherwise you will not learn all the skills of the novelist, which are much different than the short story writer.

Be Well – dcd